Unit 04: Publish!          Projects 13 14/04/2020 - 11/06/2020

Notes on 'Notes on Book Design: On Choosing a Typeface by Derek Birdsall'

  • the text shows simple rules on when to chose a typeface for book design;
  • when choosing the typeface look at the actual text first, does it require a lot of numerals, italics, headings and sub-headings (capitals and small capitals);
  • consider sans serif as a text face, clarity and economy rather than style, sans serif may be more legible  than readable;
  • consider the 'colour' of a typeface - the greyness/blackness on a page of text;
  • leading will affect the choice of typeface and the colour of the type;
  • justified and unjustified setting - justified setting on the main text gives comfort to the eye; unjustified setting on the main text breaks words in order to maintain a even right-hand edge;
  • word spacing is a reason given for unjustified setting;
  • paragraph indents should normally be a minimum of the type size plus leading;
  • unjustified setting for captions and footnotes will give an appropriate change in tone and texture;

Notes analysing an the format of an interview design

  • usage of axial layout system (where everything is divided by an imaginary line - an axis) is a recurring thing in interview designs;
  • the questions in bold and the answers not;
  • questions in a bigger size than the answers;
  • consider movement;
  • needs to show the multitude of voices and the differences of them;
  • still be readable;
  • also found some unique ones (second and third images below).

Examples

Finding the interview

I found 2 interview choices that I would like to design in this task:

After transferring the transcripts into an indesign spread I realised that the second option is too big for a double spread design. To design it in the way I want it would probably get up to 3 or 4 spreads instead of 2 as the brief asks. Therefore I decided to go for the first option of the 3min interview.

 

Interview 1 transcript

Interview 2 transcript

7 Essential Typographic Layout Systems


  • Axial ( to just put text on either side of a line. To create an axial design, divide everything by an imaginary line (an axis). To create a bilateral design, put the center of everything on the same line.)
  • Radial (To create a radial design, pick a central focal point, and place all the content so that it radiates out from that point.)
  • Dilatational (Dilatational designs use type set along circular paths. Basically, rather than radiating out from a point, as in radial designs, the text forms curves around a point.)
  • Grid (With a grid, all the text and graphics fit neatly into columns and rows.)
  • Transitional (Implementation of movement and direction into your text.)
  • Bilateral (Put all your text on the page and center it)
  • Modular (Modular layouts use repeating structures to break up the content.)

Notes for the initial ideas:

  • idea one shows the different voices clearly; it has movement; good for readability; simple but it works.
  • idea two also shows the different voices clearly; the idea of grouping and enclosing the lines in some elements gives a sense of tidying up and 'cleans' the page; it shows movement; readability is clear but can be tricky to follow the eye; the speak like bubbles are a fun element;
  • idea three is the most fun one; it has movement. readability can be tricky; used only for short interviews not really good for long extensions of text; the voices are not clearly differentiated.

After debating I I couldn't decide from idea 1 or 2 so i decided to create some mock ups on how it would look with both layouts. 

Notes on simple final design

For a successful four page spread I would need to put at least 7 to 8 questions per page (30 questions in total). Therefore, the second idea did not work because the elements/speech bubbles I tried to incorporate took too much space.

However, the first idea still felt too simple so I tried to add an element in the middle of the page to give it a little dynamic; another thing I did was to justify both columns to the center of the page (left column to right and right column to left).

Classic and minimalist piece.

Final design specifications:

Grid:

  • 8 rows x 2 columns
  • leading 12
  • margins top 36pt; bottom 42pt; inside 50pt; outside 50pt

Typography:

  • Spread through the two column (justified into the center of the page)
  • Source Sans Pro (Italic, Semibold and regular) (clear, classic and minimalist typeface)
  • Size 15pt and leading 16pt for italic
  • Size 16pt and leading 17pt for main text (semibold and regular)
  • Colour black

Additional:

  • Additional four thin rectangular elements with colour yellow (ffdf82 in adobe indesign)

Notes on final design

After looking at my first final design for sometime I realised it was just too simple and it needed some contemporary changes, so after looking at some editorial design inspiration on Pinterest I ended up with this final design:

Final design specifications:

Grid:

  • 8 rows x 2 columns
  • leading 12
  • margins top 36pt; bottom 42pt; inside 50pt; outside 50pt

Typography:

  • Spread through the two column (justified into the center of the page)
  • Source Sans Pro (Bold Italic, Semibold and regular) (clear, classic and minimalist typeface)
  • Size 24pt and leading 30pt for Bold Italic in colour yellow (ffdf82 in adobe indesign)
  • Size 16pt and leading 17pt for main text (semibold and regular) in colour black

Additional:

  • Additional two different sized rectangular elements -behind the texts- with colour yellow (ffdf82 in adobe indesign) in pages 2 and 3

Simple final design with and without the grid

Final design with and without the grid

12th May 2020 tutor feedback

  • the layout is very interesting; it flows; gives a sense of timeline through the page; shows the conversation; the layout is the most successful element;
  • typeface should be better thought out; looks too dull; needs more experimentation with the typeface;
  • hyphen to show the speaking line is unnecessary because of the way the page is laid out;
  • bold for questions and regular for answers could be switched or make the answers bigger in size - the artists answer is more important than the questions;
  • introduce more elements like speech bubbles or be bolder with the yellow;
  • needs more personality;
  • BE BOLDER!!!!!